Q. Which statement about Amir Khusrau is not true?
Ab'ul Hasan Yamīn ud-Dīn Khusrau (1253 – 1325) (Urdu: ابوالحسن یمینالدین خسرو, Hindi: अमीर ख़ुसरो), better known as Amīr Khusrow, was a Sufi musician, poet and scholar from the Indian subcontinent. He was an iconic figure in the cultural history of the Indian subcontinent. He was a mystic and a spiritual disciple of Nizamuddin Auliya of Delhi. He wrote poetry primarily in Persian, but also in Hindavi. A vocabulary in verse, the Ḳhāliq Bārī, containing Arabic, Persian, and Hindavi terms is often attributed to him. Khusrow is sometimes referred to as the "parrot of India" (Tuti-e-Hind).
Khusrow is regarded as the "father of qawwali" (a devotional music form of the Sufis in the Indian subcontinent), and introduced the ghazal style of song into India, both of which still exist widely in India and Pakistan. Khusrow was an expert in many styles of Persian poetry which were developed in medieval Persia, from Khāqānī's qasidas to Nizami's khamsa. He used 11 metrical schemes with 35 distinct divisions. He wrote in many verse forms including ghazal, masnavi, qata, rubai, do-baiti and tarkib-band. His contribution to the development of the ghazal was significant.
A. He was a great poet
B. He was a great historian
C. He worked for the Hindu-Muslim Unity
D. He wrote poetry in Hindi and Urdu
Answer: He worked for the Hindu-Muslim Unity
Ab'ul Hasan Yamīn ud-Dīn Khusrau (1253 – 1325) (Urdu: ابوالحسن یمینالدین خسرو, Hindi: अमीर ख़ुसरो), better known as Amīr Khusrow, was a Sufi musician, poet and scholar from the Indian subcontinent. He was an iconic figure in the cultural history of the Indian subcontinent. He was a mystic and a spiritual disciple of Nizamuddin Auliya of Delhi. He wrote poetry primarily in Persian, but also in Hindavi. A vocabulary in verse, the Ḳhāliq Bārī, containing Arabic, Persian, and Hindavi terms is often attributed to him. Khusrow is sometimes referred to as the "parrot of India" (Tuti-e-Hind).
Khusrow is regarded as the "father of qawwali" (a devotional music form of the Sufis in the Indian subcontinent), and introduced the ghazal style of song into India, both of which still exist widely in India and Pakistan. Khusrow was an expert in many styles of Persian poetry which were developed in medieval Persia, from Khāqānī's qasidas to Nizami's khamsa. He used 11 metrical schemes with 35 distinct divisions. He wrote in many verse forms including ghazal, masnavi, qata, rubai, do-baiti and tarkib-band. His contribution to the development of the ghazal was significant.
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